Tag: GarageBand

Songwriting & Sound Engineering: An update to last weeks post about MIDI ruling indie music and another suggestion for sound recording software creators

Posted by – November 8, 2008

UPDATE: Sound Engineering & Making Music: Converting Audio to MIDI In Your Digital Audio Workstation (DAW) to Perfectly Intertwine Organic and Virtual Instruments Plus a Lesson on Audio Plug-ins

After last weeks post about the new power of MIDI, I had another idea about how to incorporate my idea and hurry the future along…

The new power of MIDI rotates around the development of audio to MIDI conversion software, and I wrote last week that we would have to wait until a sound recording software maker like Apple or Adobe add this feature to their software packages like GarageBand, Adobe Audition, Logic, etc. in order for the full power of this to be seen, but it doesn’t have to be that way if some third party would create a new type of MIDI interface.

Let me explain.

A type of third party plug-in could be created that would work with every recording suite. It would work like this:

1. A microphone would record audio and convert it to MIDI in real time (this part is already done and you can download programs for free already).

2. Than a program (the program in question; not yet created) would take the MIDI newly being recorded from the audio and reconstitute it as the MIDI cable and USB pluses of a real MIDI interface such as a keyboard, thereby mimicking just another MIDI controller (again, all in real time).

The result would be that every sound recording program would just accept this as another MIDI input device and… Ta-Da the future!

More detailed advice to computer programmers:

1. Take one of the audio to MIDI conversion programs already created (lease it, buy it, or hack it at first, I suspect these are a dime a dozen and never make money) and look at the MIDI file that it creates as it converts audio to MIDI in real time. The MIDI file can’t be any different than a database.

2. Read up on USB and MIDI protocol to learn to generate MIDI signals from the file being created by the Audio to MIDI software.

3. Market the whole thing to cool young indie musicians, and feel cool and young… and rich and a music pioneer.

I just can’t get over what a good idea this is. Imagine laying down the guitar track, then you want the melody layered on top by an oboe but you don’t have an oboe or know an oboe player so you just play the melody on guitar and it gets converted to an oboe instantly… or forget the guitar for melody, you just hum it into the microphone.

I am currently reading a book on songwriting, and it mentions a few unorthodox songwriting methods; apparently Mel Brooks (who can’t play a single goddamn instrument) wrote the score for his Tony award winning Broadway show The Producers HIMSELF by humming into a tape recorder, and well paid musicians then took it from there.

And that’s the future I dream of… I want to be able to score an entire Broadway show (Tony winning) without knowing how to play a single instrument.

Of course Mel Brooks could have used the software that I propose, and his humming would have been turned instantly into a grand piano or a string section or what have you- for demo purposes.

- J Roland Kelly

Thank God.

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Songwriting: MacBook – The Best Way to Demo/Record a Song Without Going Balls

Posted by – May 19, 2008

I’m old enough to have had a real four-track. Wow, how things have changed. Now, many people out there have killer recording solutions already and they don’t even know it.

I wrote a blog post two months ago about Adobe Audition vs. GarageBand. I discovered how cool the Mac notebook recording solution is when Leopard wouldn’t work with my usb microphone.

As turns out the MacBook Pro as a quality built-in mic. I looked it up and the less expensive MacBook has the same mic. So that’s it. That’s the solution.

You need a MacBook and… ah… that’s it.

The entry level MacBook starts around a grand. It has the mic and the software (GarageBand) to get you up and going.

Now the machinery of recording is no longer the weakest link in you discovering that you were never meant to be a songwriter.

To recap, if at all you think you might want to record yourself in the future and are shopping around for a new laptop now go with a Mac.

If you are thinking of recording and you already have a Mac… click on that little guitar icon and stop putting off the inevitable.

-J Roland Kelly

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Music Making: Adobe Audition vs. GarageBand vs. J Roland Kelly

Posted by – February 21, 2008

I’ve been a long time fan of Adobe Audition since before Adobe purchased it and it was still known as Cool Edit Pro. I used version 1.5 to record J Roland Kelly, Stop Your Nursing Unless You’re Rendering Fun and version 2.0 to record J Roland Kelly Taunts the Process… into Attacking.

Both fu*king fantastic albums might I add.

But now that I have a MacBook Pro I’ve been playing around in GarageBand and it’s alright by me. Surprisingly good actually.  Almost unbelievable that it’s free with a Mac.

It doesn’t have all the functionality of Audition, it can’t read and write to every format out there for example but really who needs that… really you just need two formats: one that is high quality for preservation, and one made for distribution.

If you are recording everything yourself, just stick with Apple’s authoritarian formats and you’re fine.  

Adobe hasn’t released an edition of Audition for the Mac yet. That was a big part of why I finally started playing around with GarageBand.

The experiment did not come without its problems. The usb interface for the best microphone I have ever owned MXL USB .006) didn’t work with GarageBand. Bummer.

But at the time I was just interested in demo-ing some new songs anyway… and that’s when I discovered something great.

The built-in omni-directional mic in the Mac Book Pro is superb. It’s frequencies are limited a little to the high end, but it’s still quality, sweetheart. If you bought a mic this nice it would cost somewhere in the $70 dollar range.

Here’s an example of what can be done with just the built in mic and GarageBand set up. This is me playing my acoustic guitar in front of the MacBook Pro with one take. It’s a song from my second album.

Silicon Valley Must End In Fire (if it ends in ice there might be a chance some of it gets preserved)

The song is a little heavy on the “Japanese girls in black & white,” and “everything must die” themes but hey… it’s like what a famous war criminal once said “you go to war with the army you have, not the army you might want or wish to have.”

-J Roland Kelly

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