Tag: Storytelling

Screenwriting, Storytelling, & Greek Mythology: Read, Recycle, Rape, Repeat & Jesus

Posted by – September 3, 2009

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It's good to be the Zeus.

There’s this series on the History Channel, called Clash of the Gods, I watch it, it’s quite fair. You can view some of it online here. The DVDs of season 1 go to Netflix in January.

I’ve watched every episode so far, and it’s renewed my interest in Greek mythology.

In the past, I’ve tried to gain some working knowledge of the myths, only to find the two common approaches to understanding these stories lacking.

You can one, just passively accept the drivel naturally in your own culture about the myths, it’s mostly from children’s storytellers, and you will end up with a version of the myth that is almost completely rewritten to draw attention away from the dirty parts… and it’s mostly dirty parts, as these stories are meant for adults.

Or you can take an academic approach, and you will quickly find that the myths change from place to place and from time period to time period.

This approach kills these myths as a dramatic story, and it becomes hard to see the greatness that they are.

But there’s another way, and I started to understand by watching the show on the History Channel.

Clash of the Gods presents one Greek god per one-hour episode, complete with a retelling of the god’s story. If maybe a little superficial, it at least presents the gods in the arch of a story and …

The best way to see these gods is in flight.

What I’ve learned is that after generations of telling these stories the plot points (turns, twists, whatever) are sharp.

The stories are absolutely complete; the characters are three dimensional, and ironically even the gods are very human.

But in order to see the perfection of these myths, you have to hear it as a story.

And after a good retelling of one of these stories, you will NEVER forget it.

It’s absolutely not a burden to grasp an understanding of Greek mythology.

If you can’t remember it, then you didn’t hear a storyteller tell it.

Drunken, horny, un-bathed fisherman sailing under a Greek sky 2500 years ago perfected these stories, they’re not highbrow, and quite good. I would forget anything with footnotes at first.

Some really great stories…

Zeus, Hades, Hercules, all the stories are phenomenal. Here are a few beats…

Cronus (Saturn, Zeus’ dad) was told that one of his kids would overthrow him, and so imprisoned his own children. Zeus was hidden away as a child by his mother and not subject to his father’s imprisonment. When the kid became a young man he decides to overthrow his dad. Zeus first frees his siblings and uses their combined efforts to defeat the father.

Afterwards, Zeus takes his brothers (two, both older) aside and talks about how the universe is to be split up between them. By rite, the inheritance should be passed on to the older brother, but Zeus has created quite a powerful coalition of different characters to defeat the father and has grown strong, so he asks that the brothers draw lots instead.

Zeus gets the longer straw and claims the heavens, the middle brother gets the middle straw and claims the oceans and the seas, his name is Poseidon.

The oldest brother the one that should have gotten everything draws the short lot, and well… his name is Hades and he gets the underworld.

But my favorite myth so far is Hercules, a man who was cursed by the heavens from birth, never got an even break; he took everything the universe could throw at him, and died undefeated.

The story of Hercules is pure Hemingway. It contains on absent father, a women scorned, a cruel world, and an undefeated man. It has to be in the top ten greatest stories ever created by mankind.

Hercules was Jesus Christ before Jesus Christ was Jesus Christ.

In fact, investigate for your self to see if he really wasn’t. Remember the entire bible, and more specifically the New Testament did an oscillation in Greek before being pushed out into the rest of the world.

Strange things happened at that time.

I shouldn’t get into it but it’s fascinating, in a storytellers’ sense, Paul most likely created (or embellished, give me a break people) the story of Jesus when we was in Greece.

Hercules was the ideal Greek man at the time. Things come together. Look at the story of Hercules and draw your own conclusion.

“Jesus, bro, I want those people back, dude”

– Christopher Walken as Hades

I was surprised to find so much influence of the Greek gods in the Bible; many editions use the words Hades (both name of the Greek underworld and it’s ruling god) and Tartarus (a torturous place in Hades).

In newer editions, for example the King James these words are just changed to “hell.”

But Jesus doesn’t originally go to “hell” to let everyone out, he goes to Hades. It’s significant.

Imagine being Greek and a foreign “god” (Jesus) coming to YOUR underworld and taking everyone to HIS heaven.

And pointblank in the book of Revelation, Jesus is supposed to come back and throw Hades (the god) into the lake of fire. Rev. 20:14

In different ways and for different reasons, later bible thumpers had to change the god Hades to “hell” or “death” in their version of the book.

Johnny Cash Taunts Hades

One ironic line of translation concerning Hades is somewhere in Revelations 6:6, when two words the King James bible counsel people wanted to translate as “hell” show up in the same sentence.

So they translate one as hell, and translate one as death, when one was really hell and the other was Hades as a god.

Hades is very much apart of the New Testament.

The particular line in question (very dramatic) appears in The Man Comes Around, the first song on Johnny Cash’s last album. It’s in the very last line of the song and Cash follows the King James’ translation.

All of this is new to me, and I was like wow, what is Jesus doing in Greek mythology, or what is Greek mythology doing in the Bible?

I’ve never cared before, about versions, or translations, I am not a person of the book, myself, but I enjoy a good story.

Obscuring the Greek

When Christianity got to Greece two thousand years ago, the Greek myths started to die, they began to be told less and less. People apparently preferred Christianity.

As great as the Greek myth stories are, I think Christianity won out because it’s more interactive; with its judgment schema it’s more engaging.

I appreciate Buddhism for the same reason.

What I’ve learned here is the study of storytelling absolutely has a place in religious studies.

And so we’re clear… Johnny Cash is in Heaven.

In the beginning there was the Word and the Word was with God and God was the Word – John 1:1

I don’t like all versions of the Greek myths. There are no definitive versions. There are inscriptions on temples, and there are plays written by playwrights and sometimes poets, but the works are always adapted for each presentation.

Hercules is one of my favorites, but I have found some prominent versions of the tale I think are terrible, including the version Herakles by Euripides from c. 416 BCE.

Euripides plays around with the timeline of the traditional myth and it doesn’t work for me, it loses one of its greater plot points, but it’s good to see that these stories are flexible and no one got upset when someone else spun it a little differently.

The worst version of Hercules I’ve discovered has to be…

I would call this version Pedophiles’ Delight.

I would call this version Pedophiles’ Delight.

In the traditional myth, Hercules is the product of rape, and he cuts his wife and children to pieces.

That can’t be in a Disney movie, so it isn’t. The story Disney created is about a boy separated from a loving family.

It’s awful, but adults don’t object when kids see it, and when you think about it, it really is all about the kids.

The Greeks thought so.

I want to live long enough to see Disney do a version of Hamlet.

That Old Time Religion

I remember reading a book about novel writing in which the author addressed the use of “borrowing” ideas or technique.

He simply said, “Shakespeare stole, are you better than Shakespeare?” It’s a good thought.

I’ve found a lot of good stuff in Greek mythology that I’m picking up with the five finger discount. I would recommend it to anyone, apparently Paul of Tarsus thought so.

And if it was good enough for Paul…

-J Roland Kelly

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Screenwriting & Filmmaking: More about the Oncoming Real 3D Revolution

Posted by – March 31, 2009

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Last year I wrote about going to see Journey to the Center of the Earth because it was in new Real 3D and I wanted to see what all the talk was about.

I then quickly added myself to the bandwagon of people who believed this new 3D was going to change filmmaking forever.

What I didn’t know is how far along this was getting, I read an interview with Steven Spielberg, Peter Jackson, and James Cameron.

What they had to say surprised even me.

First let me say, if asked to come up with three filmmakers that I like the least, it probably would be this trio, but this group does represent the top of mainstream filmmaking, which makes what they had to say even more remarkable…

All of them have big budget 3D films currently in production, all of them believe that 3D is the future, and James Cameron went as far as to say that he would never make a movie in 2D again.

On a side note there is apparently a way to take a current 2D movie and turn it into 3D with a lot of money and computer power. So…

James Cameron is currently working on a re-release of a 3D version of Titanic, and even George Lucas wants to re-re-release the Star Wars films in 3D.

Here is why the industry likes 3D… the theaters can charge more money for a ticket, the films can’t be bootlegged as easily (good for the Hollywood moneymen), but James Cameron stressed an interesting third point… and I wonder how much research has been done on this… he said seeing something in 3D draws from real memories in the brain differently than something in 2D.

That is 3D draws you into the storytelling process more effectively than 2D.

From what I know, I would guess he is right. In fact this 3D development could be the beginning of a larger concept of virtual reality entertainment.

If you haven’t seen one of these films yet I recommend you do, you will see that this new 3D doesn’t get in the way of the story at all, it might actually emphasize it.

One of the biggest tests of this new filmmaking development will occur this winter when Cameron releases Avatar, currently the largest production of a 3D film to date.

The film is not finished but Cameron has already spent more than $200 million, and more than 1000 people have worked on it.

Who is this guy?

And who keeps giving him money?

It will have to be these mainstream filmmakers that push the boundaries of this new medium, they are the only ones with that kind of bank, but I object to productions of this magnitude.

…100 well financed independent films or one film by James Cameron…

I hope it flops.

It might actually, because if 3D is the only hook for this film, then the worldwide receipts are going to be slim.

Hollywood is having enough trouble getting theaters in the United States to switch to digital projectors that can show 3D, the rest of the world right now… forget it.

The worldwide market was a huge source of income for Titanic, I remember seeing Titanic candy bars for sale in Lithuania.

I’m sure it will be released in 2D and it might be ok.

But did I mention that he is re-releasing Titanic, I’m going to hope for the worst.

-J Roland Kelly

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Screenwriting, Filmmaking, Storytelling & Life: The Hypocrisy of Film, How to Tell a Violent Story, & Why Never to Save an Attorney in Film, Plus J Roland Kelly Calls For the Resignation of James Bond and Batman

Posted by – January 12, 2009

James Bond

The hypocrisy of film works like this… in an epic for example… a peaceful society… suddenly gets attacked by an evil society (usually one-dimensional evil society).

We as an audience always follow a group of people from the peaceful society who chose to fight the evil society; this is Star Wars, Lord of the Rings, Beowulf, etc.

Why this format? Well, we as human beings want to live vicariously through a story full of action (read violence), but we have to rationalize this by adding black and white elements… The good guys are always the one-dimensional peaceful guys (who don’t want to fight, but you know, have to), the bad guys aren’t.

This makes it possible to enjoy a violent story. If the story were about the bad guys or simply two hours of people attacking each other, only a few of the odder people out there could stomach it.

The hypocrisy is that the reason why we are in the theater at all is because we like violence. That’s just how it works; another example…

I remember seeing a movie poster for a documentary about the Asian sex slave trade. The poster was of a scantily clad Asian girl chained in the corner of a room.

HOT!

That’s entertainment (hypocrisy)! Who doesn’t want a sex slave?

You show me a scantily clad Asian girl in chains, and depending on my current level of self-esteem, I’ll show you the price of admission.

What makes all this hot subject matter possible in mixed company is by putting it in the context of a documentary about white slavery.

It is just drama; pure hypocrisy.

The black and white elements need to be present, for the story to be stomach-able.

I have noticed recently that Hollywood is “f”ing this up, a la the new James Bond, Quantum of Solace and the newest Batman, The Dark Knight.

Hollywood in an attempt to address complicated modern times (George W. Bush’s mess) is trying to soften the black & white (good & evil) elements needed in violent storytelling.

The story then falls apart.

I like Hollywood because with MOST multi-million dollar stories, at least 100 really talented storytellers look at the story from 100 different angles and fix it.

James Bond and Batman fail.

In Quantum of Solace, James Bond is presented with an elder retired spy who tells James how difficult it is sometimes to know the difference between the good guys and the bad guys.

Then that spy is killed leaving James… the archetype of the grim fighting hero whose troubles are always private.

This is bullsh!t. James Bond can’t drive from point A to point B without causing four fatalities. You put him in a gray world and he is a common murder.

In the film, I think it’s telling that they have to make the Latin American dictator a rapist. It makes no sense in the grand scheme of the film, but otherwise the audience would feel bad him when James Bond’s chicky kills him.

He’s just a pawn in a game, and why am I watching a story about an entire spy network needed to take down one South American rapist?

I hate James Bond. I present him as the character, who has had the most negative impact in the real world.

Spy networks don’t work. Spy vs. spy doesn’t work. Fcuk the CIA. Worldwide Intelligence in real life is a fraud.

James Bond is a throw back to the Cold War and needs to be retired. Modern world politics has moved on, and James Bond is a liability.

I resent most, the people in power, who think James Bond is real i.e. effeminate males trying to play him, such as Henry Kissinger, Donald Rumsfeld, George W., etc.

James Bond your services are no longer needed. Bugger off.

The thesis of this entire rant is that the black & white elements of storytelling need to be present for violent (action) stories.

Batman: The Dark Knight was also a story that fell apart when they storytellers went from black & white to grey.

In the film, the Joker gives Batman a choice between saving his love interest, or the prosecuting attorney in Gotham for all the bad guys.

Batman chooses the lawyer (never save a lawyer), the girl dies, the lawyer goes on a killing spree because his love interest was the same dead girl, then Batman takes the heat for the prosecuting attorney and goes into a hunted exile, because he believes that Gotham needs to believe that the prosecuting attorney was a hero.

Damn, who is this self sacrificing Jesus who won’t die? They call him Batman.

If Batman just chose to save his girlfriend (never save a lawyer) then the prosecuting attorney would have died a hero’s death, and all of this could have been avoided. Or, he could have simply told the truth and got credit for the capturing the Joker.

This is a terrible story. The irony is not lost on me that The Dark Knight has been one of the more financially successful Batman films, do to the untimely death of Heath Ledger.

Still, it is bad storytelling.

Hollywood, lately feels it can violate 3000 years of storytelling structure because of the political failure of one presidential administration. It can’t.

Hollywood, recognize.

-J Roland Kelly

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Storytelling & Screenwriting Inspiration: Quito, Ecuador Legend About the Church La Merced

Posted by – August 30, 2008

The Church La Merced in Quito

The Church La Merced in Quito

Here’s the way I heard it: the church was built between 1700 and 1742. The tower is the highest in colonial Quito and contains the largest church bell.

After construction, every bit of the building was blessed by priests except the 47m high tower, which as the story goes was quickly taken over by everyone’s best amigo El Diablo.

Also according to legend, the only one strong enough to resist the aforementioned Diablo in the tower was an African-Ecuadorian bell-ringer named Ceferino.

After Ceferino died in 1810, no one would climb the tower, and so the clock stopped and the bell remains un-rung.

Let me just restate this: the largest church bell in Quito has remained hanging in a 47m high tower for the last 200 years without human intervention; okay continuing…

The clock stopped at 6:50. I’ve been asking around trying to see if this is a special time.

El Diablo time. 6:50. Drink a beer.

No clear answer, but that’s 6:50 Eastern Standard Time in the U.S. (not accounting for daylight savings time) if you want to have that beer.

No daylight savings time in Ecuador, by the way people, because it’s on the equator.

I  know that sometime in middle of some night, that bell will ring, the city will gather around the tower, and a large drunken gringo in a red satin devil costume holding a heavy mallet will stagger out, just purely in terms of statistics I mean.

“NO HABLA ESPANOL, POLICIA. I’M THE DEVIL!” Stumble. Vomit. Handcuffs. Ticket home.

Maybe that gringo will be you. Maybe it will be me.

I’ve not found a devil costume, but if anyone needs a pope outfit shoot me an email.

-J Roland Kelly

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Storytelling: The Ancient Chinese Legend of the He-Man

Posted by – July 6, 2008

Not on the topic of screenwriting but over the weekend I was catching up on my Chinese mythology and came across Chinese He-Man with Battle Cat.

One of the eight immortals, Lu Tung Pin, carries a sword, rides a tiger, and has a sister named She-Ra.

I thought I would alert the Western World of the Chinese Culture’s infringement on Mattel’s 1981 trademark.

I always knew there was something to that He-man.

SKEL-LE-TOR!

-J Roland Kelly

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