Tag: workshop

Filmmaking: Yes, Chan Is Missing, I’ll give you that.

Posted by – July 8, 2008


A couple of days ago I mentioned that I went to a screenwriting workshop taught by Terrel Seltzer who worked on the screenplay for Chan Is Missing. I was thinking about it. I dig this film. I like it because it is shot Dinosaur! style, and I like everything shot Dinosaur! style.

I think it’s an inspiration to all of us what you can do with a single camera and a good-looking city for a backdrop. Forget permits, just move to a city long enough to know how to get away with it.

With this film, and because it is low budget, you get to see real 1982 San Francisco.  No closed off streets, no one is holding the crowd back during shooting, none of that, just a small group of people with a camera trying not to get noticed in a larger group of people.

Also, the film has some significance for me. I first saw it on a 30 inch flat-screen monitor, when I thought 30 inch flat-screen monitors were unbelievable large. I had just moved to the Bay Area and I was living in a closet in San Mateo, and it was the first Indie San Francisco type film that I saw. 

The film was made by this guy.

-J Roland Kelly

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Screenwriting in the Bay Area: Terrel Seltzer’s Class for Screenwriters at the Writing Salon in San Francisco

Posted by – June 30, 2008

It was late January when I ran across an ad for a one-day workshop for screenwriters on craigslist. I attended.

The class was taught by Terrel Seltzer and sponsored by the Writing Salon. I was unfamiliar with the organization at the time, but it only cost something like $90 so I thought it was worth checking out.

Maybe I could fall in with the right group of people, you never know.

The class was capped in size, something like a maximum of 20 people; we all sat in a circle. It was inspiring.

The class had a sort of advanced title or topic something having to do with character development, but as I suspect with most of these types of classes most of the people were beginners and we ended up covering mostly basics (three act structure, etc.).

Which is fine, I would totally recommend a class by Terrel Seltzer if you are looking for inspiration. She knows her stuff, and there’s something about a group of people with day jobs learning the basics and thinking that maybe they ARE screenwriters after all, that is uplifting and contagious. 

Screenwriting is simple and straightforward after all, right.

I did learn a few new concepts in the class, and she recommend some books which I have since read. I might review them in a future blog post, so stay tuned for that.

It was fun to read a few scenes aloud with other people, something I seldom get to do. Overall, a good time, and like I said the positive energy is totally worth the cost of the ride.

Terrel Seltzer worked on the screenplays for Chan is Missing and Dim Sum with long time collaborator and San Francisco filmmaker Wayne Wang. In the big time she wrote How I Got into College and One Fine Day.

She apparently has two scripts currently in development with Dreamworks and Warner Brother Classics. Her next one-day workshop at the Writing Salon is in early August.

 

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